Totally in the dark on this game; so the style and type of gameplay I’d been tasked with reviewing was a complete mystery. So wasting no time I redeemed the review key via the Xbox store and waited as what was a relatively small file downloaded.
Initial impressions.
Starting off aboard a space station our heroine, Myrah Kale, is sent on a sort of coming of age/first steps type mission. Despite it clearly not being a point and click adventure, this was the immediate first impression. Most likely due to the linear series of events that then followed.
After a short while just following the story prompts which are acting as a tutorial of sorts. The game’s play mechanic started to show through. In short explore, collect, redeem/trade and repeat as required.
The art style is described as ‘Stylized Low-Poly Look’ which seems fitting enough. Some commentators have described it as being similar to Astroneer – which is a reasonable enough statement to make although Astroneer uses a wider range of colours and effects for the art style/environment that it is using.
The music is also worth a mention. The game uses a series of musical cues and mood pieces that play during certain moments acting more as a sound scape than a soundtrack. Like the art style these are very distinctive and helps to give it a sense of place that’s very unique.
So back to the game; having gained a mentor and a feline flying robot (called Kitcat) I completed the firing tutorial and left the space station on-board my own spacecraft. The navigation of which is via a galaxy/solar system type maps. Up to this point everything was first person but inside the ship the view is locked down.
Between you and the destination there are traders and other space stations. Essentially these provide the obvious trading opportunities and in the case with space station upgrade possibilities. Of course there is also the possibility of combat. This takes the appearance of using one of the gun emplacements as seen on-board the Millennium Falcon (or for seasoned players ‘Star Raiders’ through a porthole). This played well enough although I had to change the control scheme from directional to ‘pilot’ like in style by inverting the vertical input – always nice when control options are provided but I do wish there was a way to know which was the default option.
Now the first of a couple of pointers that may prove to be beneficial.
Upgrades generally require materials and currency (the delightfully named ‘chunks’). Two types of materials has been the norm so far for upgrades and the coloured bar to the right of the material names is a pictorial representation of the amount you’re carrying (if any) vs the amount required. Since you see all the possible upgrade slots at each venue despite what’s actually available it is a little confusing at first when the on screen requirements are all blank. However the exchange of materials and funds soon becomes a major plank of the game design. Upgrades exist for yourself, equipment and your ship with upgrade areas specialising in one of the three branches.
Planetside
Now the main thrust of the game is the planet surfaces and it is this that has drawn the strongest comparison to the look of Astroneer and the gameplay of No man’s Sky. As per the Astroneer the No Man’s Sky reference is not quite right either – yes both feature planet surface exploration but the landscape in Morphite is smaller and more valley like in layout thus leading to a precise objective. The reduced colours and geometry is pleasing on the eye with the only drawbacks being that some features such as tunnel entrances can literally disappear when they are the same colour as the surroundings.
Planetary exploration is accessed from orbit via a pod like thing that also acts as a restock point for your weapon and maybe a checkpoint – I say maybe since it’s all a bit confusing. I’ve relied on the checkpoint system only for it to ‘not-save-your-progress’ this forcing me to chase the same amphibian several times.
As I progressed the gameplay did start to coalesce so you can then adopt a playstyle to maximise your playing experience and in game rewards. The game is essentially an exploration based; by scanning flora and fauna on planets you gain readings of their biology that act as tradable items and gateways to enhancements. Other minerals/currency can be acquired via the good old fashioned Zelda approach of smashing stuff or in our instance - shooting it.
Now another playing pointer. You will depend heavily on two items from your roster; the scanner which scans things and you gun with which you can shoot them afterwards. Initially to select between the two required you to pull up a menu and select between them. This was really unwieldy. After all scanning and shooting are the two things you do all the time and rapid selection was pretty much mandatory. Later on I discovered that the D-pad was used to bring up and zoom in/out on a map (up/down) however undocumented was the fact that left/right cycled through your items as well. This turned out to be a mixed blessing since the act of operating the map also moves the held item along. Initially I thought was my inexperience in changing the map but alas having the map up does affect the item being held. The map alas has its own issues. Normally it hangs in the upper right of the screen but is very faint. The version you call up occupies the majority of the screen and is more opaque. So as you move around it does obscure a lot of the scenery and cannot be adjusted. Not only does it make seeing thing difficult as you move but you cannot use anything you’re carrying so no scanning or shooting allowed. Another issue is that the map is rendered as per the height you’re currently at; so instead of seeing the shapes of the valley or caves you can instead get a slice of the world where the terrain has narrowed or even no longer exists at this vertical point.
As already mentioned you progress by exploration and essentially scanning everything. Like all games of this ilk your equipment is compromised at the start and upgrading via exploring is paramount. That does mean that some of the wildlife you see is practically impossible to scan (flies for example). There is a log to let you catch up on the creatures scanned but there appears to be no way of knowing if you’ve scanned all those on a particular planet (they do visually take on a slightly different on-screen appearance). Some lifeforms appear more than once with different preceding adjectives to differentiate between them. This may be down to some sort of seeding system but I noticed at least one whose name of Lakeshits seems a little unfortunate (or maybe I’m breaking the word up incorrectly…).
At this point I should come clean and point out that I haven’t completed the main game yet. In my defence I have literally gone off and done my own thing. Something that this game allows you to do -without question. There is a story and objectives (and a very handy quest screen to keep up to date of what you should be doing) that lead to planetary structures with platform/switch type obstacle courses and the unveiling of a story point (the not at all mythical Morphite!).
The conclusion
This is proving a tricky title to review. There is a lot to admire in this game and they have tried to make it as approachable as possible. Admittedly some of the areas are a little empty and the electronic music (more of an atmospheric audio experience) and graphics can grate if the game is played excessively. However in smaller doses the open ended exploration and easy going nature of this title makes this a game to fall back on, especially since death doesn’t really penalise you – just puts you back to the last checkpoint (maybe).
“Ah, but a man's reach should exceed his grasp, Or what's a heaven for?”
You can find out even more details on Morphite on Crescent Moon Games website, while following the developers Blowfish Studios and We're Five Games.
Morphite is available now on PS4, Xbox One, Steam, Nintendo Switch and iOS.
